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The "Marshall Tucker" in the band's name does not refer to a band member, rather to a blind piano tuner from Spartanburg. [4] While the band was discussing possible band names one evening in an old warehouse they had rented for rehearsal space, someone noticed that the warehouse's door key had the name "Marshall Tucker" inscribed on it, and suggested they call themselves "The Marshall Tucker ...
Toy Talmadge Caldwell Jr. (November 13, 1947 – February 25, 1993) was an American musician who was most notable as the lead guitarist and main songwriter of the 1970s Southern Rock group The Marshall Tucker Band. [1] A founding member of the band, Caldwell remained with the group until 1983.
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George McCorkle (October 11, 1946 – June 29, 2007) was a founding member and guitarist for the Marshall Tucker Band. He wrote "Fire on the Mountain", the band's first top 40 hit, though had hoped that Charlie Daniels would record the song. He left the band in 1984 and later worked as a songwriter. [1]
Carolina Dreams, released in 1977, was the Marshall Tucker Band's sixth album and an ode to the band's home state, South Carolina, USA.Focusing on Western themes, it spawned their biggest hit to date, "Heard It In a Love Song", which rose to #14 on the Billboard Hot 100, taking the album with it to #22 and #23 on the Country and Pop charts, respectively.
Jerry Eubanks (born March 9, 1950) is an American musician best known as the original saxophonist, keyboardist and flautist for The Marshall Tucker Band. [1] [2] [3] His flute and sax solos were a signature of the band. [4] Eubanks left the Marshall Tucker Band in 1996, outlasting most of the surviving original members. [5]
The Marshall Tucker Band. Doug Gray - lead vocals, percussion; Toy Caldwell - lead guitar, steel guitar, lead vocals on "Can't You See", "Hillbilly Band," and "Ab's Song" Tommy Caldwell - bass guitar, background vocals, drums on "See You Later, I’m Gone" George McCorkle - rhythm guitar, acoustic guitar, percussion; Paul Riddle - drums
Beautiful Oblivion is a nu metal album with elements of progressive metal and djent, and influences of neo-soul, R&B, funk, electronica and pop.The album is the band's first release to not feature original member and unclean vocalist Michael Bohn, which led to significantly less screaming vocals being featured on the record, with the exception of guitarist AJ Rebollo's unclean vocals on a few ...