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Semar mendem which is lemper wrapped in thin omelette. A variant snack almost identical to lemper is called semar mendem. Both are glutinous rice filled with shredded seasoned chicken. Instead of banana leaf wrapping, semar mendem uses a thin omelette made from egg and flour as wrapper, hence rendering the whole package edible.
Hukum Kanun Pahang (Malay for 'Pahang Laws', Jawi: حكوم قانون ڤهڠ), also known as Kanun Pahang [1] or Undang-Undang Pahang [2] was the Qanun or legal code of the old Pahang Sultanate. It contains significant provisions that reaffirmed the primacy of Malay adat , while at the same time accommodating and assimilating the Islamic law .
Ulama and kyais, mostly wealthy landowners of rural area, were authoritative figures in this system, and santri (students) learned Islam through taqlid (rote learning) and kitab kuning. Distinct characteristics of traditionalism are based on such syncretism and rural communal dynamics. [1] [5]
A copy of Undang-Undang Melaka displayed in the Royal Museum, Kuala Lumpur.. Undang-Undang Melaka (Malay for 'Law of Melaka', Jawi: اوندڠ٢ ملاک ), also known as Hukum Kanun Melaka, Undang-Undang Darat Melaka and Risalah Hukum Kanun, [1] was the legal code of Melaka Sultanate (1400–1511).
Semar is the personification of a deity, sometimes said to be the dhanyang (Javanese: ꦝꦚꦁ) [5] or guardian spirit of the island of Java. In Javanese mythology, deities can only manifest themselves as ugly or otherwise unprepossessing humans, and so Semar is always portrayed as short and fat with a pug nose and a dangling hernia.
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Petruk and the Punokawan can also be found in modern Indonesian literature. In Nano Riantiarno's Semar Gugat (1995), for instance, Petruk appears as a son of Semar who abandons him after the latter loses his powers. [8] Allusions to the character can be found in cartoons. [2]
Semar is a character in Javanese mythology who frequently appears in wayang shadow plays. He is one of the punokawan (clowns) but is divine and very wise. He is the dhanyang (guardian spirit) of Java, [ 1 ] and is regarded by some as the most sacred figure of the wayang set. [ 2 ]