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Paofu (Chinese: 袍服; pinyin: páofú; lit. 'robe'), also known as pao (Chinese: 袍; pinyin: páo; lit. 'robe') [1] [2]: 90 for short, is a form of a long, one-piece robe in Hanfu, which is characterized by the natural integration of the upper and lower part of the robe which is cut from a single fabric. [3]
Many factors have contributed to the fashion of ancient China: beliefs, religions, wars, and the emperor's personal liking. [25] Following the Qin dynasty, colours used in the sumptuary laws of the Han Chinese held symbolic meaning, based on the Taoist Five Elements Theory and the yin and yang theory; each dynasty favoured certain colours. [26]
The kesa is worn over a Chinese-style long robe, called jikitotsu (直裰) which was also developed in China, [14] [15] and had a belt or sash tied at the waist. [13] Zen Buddhist monks wear a form of formal dress which is composed of two kimono, covered by the jikitotsu; and the kesa is finally worn on top of the jikitotsu. [15]
"Colourful robe" It is a ritual robe; it can have embroidered borders but the clothing is typically monochrome, mostly red in colour. It is worn for during daily recitations of scriptures in a worship hall before divinities. [28] Unknown – Present Daopao 道袍 "Taoist robe" or "Robe of the Dao" It is worn by middle-rank Taoist priests. [34]
Yesa robe (Chinese: 曳撒袍; pinyin: Yèsāpáo), also known simply referred as Yesa (Chinese: 曳撒), Yisan (Chinese: 曳撒), or Yisa (Chinese: 一撒), is an ancient type of Chinese clothing worn during the Ming dynasty. [1] [2] It originated in the Ming dynasty but was influenced from clothing of the Yuan dynasty. [1]
Daopao (Chinese: 道袍; pinyin: dàopáo; lit. 'Taoist robe'), also known as xuezi (Chinese: 褶子) when used as a Xifu during Chinese opera performances, [1] [2]: 181 and deluo (Chinese: 得罗) when it is blue in colour, [3] is a traditional form of paofu in Hanfu and is also one of the most distinctive form of traditional clothing for the Han Chinese. [4]
In ancient China, there is a clear difference between monarchs and subjects; therefore, the Emperor wears the long, Chinese dragon patterns, on their clothing called longpao (龙袍; 龍袍; lóngpáo; 'dragon robe') while the officials, being the subjects of the Emperor, wear the mang (蟒; mǎng; 'python'). [2]
The Chinese yuanlingpao continued to evolve, developing distinctive Chinese characteristics with time and lost its Hufu connotation. It eventually became fully integrated in the Hanfu system for the imperial and court dress attire. Under the influence of ancient China, the Chinese yuanlingpao was adopted by the rest of the East Asian cultural ...