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The use of the term "fake" in the jazz scene is illustrated by the expression "fake book", a collection of lead sheets and chord progressions for jazz standards (commonly-played jazz tunes). The reason the book is called a "fake book" is because trained jazz performers are able to improvise accompaniment parts and solos from the chord charts ...
Some other music publishers also apply the term Real Book to their own publications. The Associated Board of the Royal Schools of Music publishes The AB Real Book. [7] Alfred Publishing Co. has several Real Books. [8] Sher Music Co. publishes The New Real Book, in 3 volumes. [9] The collection of tunes differs from that of the original Real Book.
"Moonglow" appears in jazz fake books and lead sheets in the key of G, though it is also thought to originally be in the key of C. [1] The melodic riff of the A section is composed of a repeated minor third interval followed by a major third interval and then a repeated note.
"Jitterbug Waltz" is a 1942 jazz composition by Fats Waller. Initially recorded the same year by his jazz combo , Fats Waller and His Rhythm, it has been performed and recorded by numerous musicians, including Art Tatum , Erroll Garner , Chet Atkins , Vince Guaraldi , Butch Thompson, Al Hirt , [ 1 ] Eric Dolphy , [ 2 ] and David Murray .
Ted Gioia (born October 21, 1957) is an American jazz critic and music historian. He is author of 12 books, [1] including Music: A Subversive History, The Jazz Standards: A Guide to the Repertoire, The History of Jazz and Delta Blues. He is also a jazz musician and one of the founders of Stanford University's jazz studies program. [2] [3] [4 ...
Longtime prop house owner Marc Meyer, widely considered a pioneer of the fake book, is fighting to save his 'life's work,' Faux Library.
Jive talk, also known as Harlem jive or simply Jive, the argot of jazz, jazz jargon, vernacular of the jazz world, slang of jazz, and parlance of hip [1] is an African-American Vernacular English slang or vocabulary that developed in Harlem, where "jive" was played and was adopted more widely in African-American society, peaking in the 1940s.
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