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In jazz, the term "faking" means to improvise accompaniment parts. The term "faking" in jazz does not have the same meaning as in faking in Classical music, where faking is seen as a controversial activity. In jazz, when a jazz quartet "fakes" accompaniment parts to a song with a singer, this is a synonym for improvising their backup
The Real Book is a musicians' fake book – a compilation of lead sheets for jazz standards. Fake books had been around at least since the late 1920s, but their organization was haphazard, and their content did not always keep pace with contemporary musical styles.
The Jazz Theory Book is an influential work by Mark Levine, first published in 1995. [1] The book is a staple in jazz theory, [2] and contains a wide range of jazz concepts from melodic minor scales and whole tone scale to bebop scales, diminished scales and "Coltrane" reharmonization. Levine assumes that the reader can read music, and gives ...
"Jitterbug Waltz" is a 1942 jazz composition by Fats Waller. Initially recorded the same year by his jazz combo, Fats Waller and His Rhythm, it has been performed and recorded by numerous musicians, including Art Tatum, Erroll Garner, Chet Atkins, Vince Guaraldi, Butch Thompson, Al Hirt, [1] Eric Dolphy, [2] and David Murray.
Publishers Weekly called the book a "mesmerizing verbal and visual riff on a uniquely American art form." [1] Kirkus Reviews praises this book that "stands as a welcome addition to the literature of jazz: In a genre all too often done poorly for children, it stands out as one of the few excellent treatments."
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova.
The Omnibook has become a major reference for students of jazz improvisation in many genres of jazz music not just bebop. [3] Portions of Parker’s improvised solos continue to be quoted by other improvising jazz musicians today. The transcriptions are not intended to be studied by saxophonists new to the instrument but rather by advanced ...
The Latin Percussion Jazz Ensemble - '"Live at the Montreux Jazz Festival 1980, with Tito Puente, Carlos "Patato" Valdes, Alfredo de la Fe, and Jorge Dalto. Clare Fischer - Clare Fischer & Salsa Picante Present 2+2 , recorded in September 1980, released in 1981, debuting 2+2 (the vocal portion of Fischer's Latin jazz group).