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In the case of the French stretcher, a mitre joint is used to adhere the corners. "Keys" or small triangle wedges are inserted in the joint after stretching the canvas to give the canvas its final tension. When fastening the canvas, pressure should be distributed evenly around the stretcher to minimize warping due to unequal distribution of pull.
Gallery wrap is a method of displaying art wrapped over thick wooden bars so that there are no visible fasteners (such as staples or tacks). This method of stretching and preparing a canvas allows for a frame-less presentation of the finished painting. In contrast, a non-gallery wrap canvas is usually intended to be framed before presentation.
The back of a stretched canvas, with keys inserted at the corner, and additional keys off to the side. A tightening key is a small wedge or shim used in the construction of a canvas stretcher frame with expandable joints. The key is inserted into the slotted inside the stretcher bars at the mitered corners of the frame to prevent or adjust sagging.
Backside view of a strainer frame displaying corner construction. A strainer bar is used to construct a wooden stretcher frame used by artists to mount their canvases.They are traditionally a wooden framework support on which an artist fastens a piece of canvas.
Strip linings strengthen the edges of the canvas so that they can withstand re-stretching. Both strip lining and patching are less invasive than lining. Another method used in place of lining is loose-lining. Loose-lining is accomplished by stretching a painted image over polyester sailcloth without adhesive between the fabrics. [2]
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