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The term khorovod likely descends from the Greek Choreia (Ancient Greek: χορεία); Rus' culture was heavily influenced by Greek culture. Khorovod is related to choreia ( a Greek circle dance), kolo (a South Slavic circle dance originating in Serbia, Croatia and Bosnia), hora (), and kochari (Armenian and Azerbaijani folk dance).
The traditional kolo is a circle dance, a relatively simple dance common throughout other Slavic countries in which dancers follow each other around the circle. Due to emigration, Croatian folk dance groups are prevalent throughout the diaspora , most notably the United States , Canada , Australia, and Germany .
The Kolo is a collective folk dance common in various South Slavic regions, such as Serbia and Bosnia, named after the circle formed by the dancers. It is performed amongst groups of people (usually several dozen, at the very least three) holding each other's having their hands around each other's waists (ideally in a circle, hence the name).
Traditional dance costumes vary from region to region. Bordering regions are mostly more similar to each other. [7] Various kolos are performed at social ceremonies. Often traditional clothing, which is unique to a region, is worn. The most common kolo is the narodno kolo or drmeš; a standard step followed by accordion music.
Dancing tradition in Serbia is represented by various styles of dance, commonly called Kolo. The word originates from the Slavic word meaning a 'wheel,' circle, or circuit. Kolo is a collective dance, where dancers hold each other's hands in either a V or W formation, making a chain or a union.
A traditional oro playing in North Macedonia. Hora, also known as horo and oro, is a type of circle dance traditionally performed in Southeast Europe.Circle dances with similar names are found in Bulgaria, Romania, Moldova, North Macedonia, Greece and Turkey culturally adopted by ethnic minorities such as the Ashkenazi Jews [1] (Yiddish: האָרע hore), Sephardic Jews (Ladino: הורו horo ...
The dance moves are compared with the agility and strength of those who are performing it. From the clothing to the precise moves of the hips and shoulders. [according to whom?] The body movements during the dance are swiftly made to follow the beating of the drums and represent the fish out of the water (men), while the women are the sea.
The Albanian traditional dance of Shota was choreographed by Olga Skovran for the Serbian Ensemble "Kolo" in 1952, and a song based on its melody became widely popular in the 1970s in Yugoslavia. The popularization of the dance in Yugoslavia helped the dance spread to the southern Danube Gorge in the 1970s, reach the northern side in the 1990s ...