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A lullaby (/ ˈ l ʌ l ə b aɪ /), or a cradle song, is a soothing song or piece of music that is usually played for (or sung to) children (for adults see music and sleep). The purposes of lullabies vary. In some societies, they are used to pass down cultural knowledge or tradition.
Classical Baby is designed to introduce young children to masterpieces from the worlds of music, art, dance, and poetry. This series first aired on HBO Family on May 14, 2005. The series has won 4 Emmy Awards, the Peabody Award, the Directors Guild of America Award, Parents' Choice Awards, and others.
Based on classical conditioning, repeated pairing of the music with the intention of sleep can generate a conditioned response. By forming this habit, music alone would be effective in triggering a relaxation response, which signals the body that it is time to sleep.
Bach to Baby is a classical music concert series aimed at families with children under 5. It was founded in London, in 2011 by Miaomiao Yu, a classical concert pianist, and runs concerts across England. The series welcomes children of all ages, and imposes no behavioural expectations on the children. [1] [2] [3] [4]
Music for Children is the first release in John Zorn's Music Romance Series and features three Naked City compositions (written at the time of Torture Garden) performed by Zorn with the band Prelapse; a 20-minute composition for wind machines and controlled feedback systems dedicated to Edgar Varese, and a classical chamber music piece for violin, percussion and piano performed by the Abel ...
Conductor Ernest Henry Schelling with dog aboard the S.S. Paris, May 24, 1922. The New York Philharmonic's annual "Young People's Concerts" series was founded in 1924 by conductor "Uncle" Ernest Schelling and Mary Williamson Harriman and Elizabeth "Bessie" Mitchell, co-chairs of the Philharmonic's Educational and Children's Concerts Committee. [4]
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"Schlaf, Kindlein, schlaf" ("Sleep, dear child, sleep") is a German lullaby. The oldest surviving version is a text and melody fragment of the first stanza, which appears in 1611 as part of a quodlibet in Melchior Franck's Fasciculus quodlibeticus.