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Artistic Dress was a fashion movement in the second half of the nineteenth century that rejected highly structured and heavily trimmed Victorian trends in favour of beautiful materials and simplicity of design. It arguably developed in Britain in the early 1850s, influenced by artistic circles such as the Pre-Raphaelites, and Dress Reform ...
Victorian dress reform was an objective of the Victorian dress reform movement (also known as the rational dress movement) of the middle and late Victorian era, led by various reformers who proposed, designed, and wore clothing considered more practical and comfortable than the fashions of the time. Dress reformists were largely middle-class ...
Alice Laura Vansittart Strettell. 1 January 1850. Died. October 11, 1927. (1927-10-11) (aged 77) Occupation. Costume designer. Alice Vansittart Comyns Carr (née Strettell; 1 January 1850 – 11 October 1927), was a British costume designer whose work is associated with the Aesthetic dress movement.
Dress maker costume designer businesswoman. Spouse. John Trivett Nettleship. Children. Ida, Ethel, and Ursula Nettleship. Ada Nettleship (born Adaline Cort Hinton; 1856 – 19 December 1932) was a British dressmaker and costume designer known for working at the forefront of the Aesthetic dress style and the rational dress movement .
Against this context, the Hanfu movement is a grassroots movement which seeks to restore the dress and attire and to recover the aesthetic sensibilities of Han Chinese dress from previous eras recognized as high points for Han culture - principally the Ming, Tang, Song and Han.
1881 Programme for Patience. Patience; or, Bunthorne's Bride, is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert.The opera is a satire on the aesthetic movement of the 1870s and '80s in England and, more broadly, on fads, superficiality, vanity, hypocrisy and pretentiousness; it also satirises romantic love, rural simplicity and military bluster.
William Morris (1834–1896) was the towering figure in late 19th-century design and the main influence on the Arts and Crafts movement. The aesthetic and social vision of the movement grew out of ideas that he developed in the 1850s with the Birmingham Set – a group of students at the University of Oxford including Edward Burne-Jones, who ...
The subject of the painting is the contrast between lasting historical achievements and ephemeral fads. The portrait of Disraeli represents the former, and the influence of the Aesthetic movement in dress represents the latter. Aesthetic dress is exemplified by the principal female figures, to the left, in green, pink and orange clothing.