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A cappella. Music performed a cappella (/ ˌɑː kəˈpɛlə / AH kə-PEL-ə, UK also / ˌæ kəˈpɛlə / AK ə-PEL-ə, Italian: [a kkapˈpɛlla]; [1] lit. 'in the style of the chapel'), less commonly spelled a capella in English, [2] is music performed by a singer or a singing group without instrumental accompaniment.
Vocal music. A men's chorus from the 1940s or 1950s. Vocal music is a type of singing performed by one or more singers, either with instrumental accompaniment, or without instrumental accompaniment (a cappella), in which singing provides the main focus of the piece. Music which employs singing but does not feature it prominently is generally ...
Isicathamiya. Isicathamiya (Zulu pronunciation: [isikǀatʰamija], where the c represents a tenuis dental click) is a singing style that originated from the Zulu people, a South African ethnic group. In European understanding, a cappella is also used to describe this form of singing. The word itself does not have a literal translation; it is ...
Claudio Giovanni Antonio Monteverdi[ n 1 ] (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history.
Archetypal literary criticism is a type of analytical theory that interprets a text by focusing on recurring myths and archetypes (from the Greek archē, "beginning", and typos, "imprint") in the narrative, symbols, images, and character types in literary works. As an acknowledged form of literary criticism, it dates back to 1934 when Classical ...
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In literary theory and philosophy of language, the chronotope is how configurations of time and space are represented in language and discourse. The term was taken up by Russian literary scholar Mikhail Bakhtin who used it as a central element in his theory of meaning in language and literature. The term itself comes from the Russian ...
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