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Wolfgang von Schweinitz, JUZ (a Yodel Cry), Op. 40 for Trombone and Echo Sounds (1999/2009) Karlheinz Stockhausen , Signale zur Invasion , 2. ex Nr. 61 for Trombone and Electronics (1992) Marco Stroppa , I will not kiss your f.ing flag for Trombone and Electronics (2005)
The trombone glissando can create remarkable effects, and it is used in jazz and popular music, as in the famous song "The Stripper" by David Rose and his orchestra. 'Harmonic', 'inverted', 'broken' or 'false' glissandos are those that cross one or more harmonic series, requiring a simulated or faked glissando effect.
The trombone, like most other brass instruments, can have its sound altered through the use of mutes. There are many different types of mutes commonly used in a jazz context. Plunger Mute - A plunger mute is a plunger head that covers all or part of the open portion of the bell, producing a "wah wah" sound.
BRAAAM is a loud, low sound typically produced using real or synthesized brass instruments.One of the best-known examples also involved a prepared piano.Seth Abramovitch of The Hollywood Reporter described the sound as "like a foghorn on steroids" which is "meant to impart a sense of apocalyptic momentousness". [3]
Wah-wah (or wa-wa) is an imitative word (or onomatopoeia) for the sound of altering the resonance of musical notes to extend expressiveness, sounding much like a human voice saying the syllable wah. The wah-wah effect is a spectral glide , a "modification of the vowel quality of a tone".
Trombone on a 1909 headstone, Christ Church, Todmorden. The sound of sackbuts (and trombones) has long been thought especially solemn and noble, had an association with death and the afterlife. [27] The instrument was a symbol of divine presence, the voice of the angels and instrument of judgment. [28]
Young powered the Hawks to a wild 124-121 win over the Utah Jazz on Tuesday night with one of the most ridiculous shots of his career. Young's shot was only half of the finish at the Delta Center.
The Trombone Sound is an album by American jazz trombonist Kai Winding featuring performances recorded in 1956 for the Columbia label. [1] [2] Reception