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String instruments were no longer used in "traditional" circus bands to make "traditional" circus music, which is defined by Merle Evans as music that is brighter in tone than other music. [ 13 ] Sounds of cornets, trumpets, trombones, French horns, baritones, and tubas were able to reach far and wide, signaling to entire towns that the circus ...
Other circus calliopes were self-contained, mounted on a carved, painted and gilded wagon pulled by horses, but the presence of other steam boilers in the circus meant that fuel and expertise to run the boiler were readily available. Steam instruments often had keyboards made from brass.
Gustav Peter is the composer [3] of the widely popular piece of music Memory of Circus Renz that was published in 1894 with the original title Souvenir de Cirque Renz. [4] Its musical form is a Galop and primarily it was written for xylophone, but later adapted to various kinds of instruments. It is one of the best-known examples of circus music.
Pages in category "Circus music" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes. ...
Circus Maximus was composed at the behest of the conductor Jerry Junkin, Director of Bands at the University of Texas at Austin.Junkin had originally approached Corigliano about composing a wind ensemble piece years before, but the composer turned the offer down, later remarking, "the thought of that enormous ensemble, composed of so many instruments I had never written for, overwhelmed me."
Circus music: Instruments: Trombone: Charles Edward Duble (September 13, 1884 – August 1960) was an American band musician and composer. He ...
Circus skills are a group of disciplines that have been performed as entertainment in circus, carnival, sideshow, busking, variety, vaudeville, or music hall shows. Most circus skills are still being performed today. Many are also practiced by non-performers as a hobby.
The march demonstrates the state of the art in playing technology and the construction of brass instruments, which allowed fast and even chromatic gears in all instruments and positions. Fučík was so impressed by the description of a gladiator appearance in a Roman amphitheater in Henryk Sienkiewicz 's 1895 novel Quo Vadis that he soon ...