Search results
Results From The WOW.Com Content Network
"Knife" is a song by Brooklyn-based indie rock band Grizzly Bear, from the band's second studio album,Yellow House. The song was released as the first single on May 21, 2007. The song was released as the first single on May 21, 2007.
"Two Weeks" is a song by the American indie rock band Grizzly Bear, and the first single from the band's third studio album, Veckatimest.Featuring backing vocals from Victoria Legrand, singer and organist for the dream pop duo Beach House, it was released as a single on June 1, 2009.
Yellow House is the second studio album by American rock band Grizzly Bear, released on September 5, 2006, by Warp Records.Produced by bass guitarist and multi-instrumentalist Chris Taylor, the album's title refers to vocalist Ed Droste's mother's house where the majority of recording took place.
Veckatimest (/ v ɛ k ə ˈ t ɪ m ɪ s t /) is the third studio album by the American rock band Grizzly Bear, released on May 26, 2009, by Warp Records.The album is named after Veckatimest Island, a small island in Dukes County, Massachusetts.
"Sleeping Ute" is a song by American indie rock band Grizzly Bear, and the first single from the band's fourth studio album, Shields (2012). The song features lead vocals by guitarist Daniel Rossen. [1] [2] [3]
Shields is the fourth studio album by American rock band Grizzly Bear, released on September 18, 2012, by Warp Records.Written and recorded following a six-month hiatus from band activities, the album was produced by bassist and multi-instrumentalist Chris Taylor.
Grizzly Bear was an American rock band from Brooklyn, New York, formed in 2002. For most of its tenure, the band has consisted of Edward Droste (vocals, keyboards, guitar), Daniel Rossen (vocals, guitar, banjo, keyboards), Chris Taylor (bass, backing vocals, woodwinds, production), and Christopher Bear (drums, percussion, backing vocals).
"While You Wait for the Others" was ranked #334 in Pitchfork Media's Top 500 Tracks of the 2000s [1]. Upon release, Pitchfork gave the song their first ever 10/10 review, stating that the track "proves what Grizzly Bear are capable of when they try and meet the pop-inclined listener halfway."