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Rivera achieved the varied tones within the print by shading and crosshatching with lithographic crayon. Rivera used tonal variations in the black and white Zapata to similar effect as he did color in the painted murals he used as its source material. In the lithograph, the lightest areas in Zapata's white clothing and the white body of the ...
The Baroque Pinto horse was created by crossing the Friesian horse with pinto-colored warmblood horses to create a black-and-white Baroque type horse, with a minimum of least 25%–40% Friesian blood. The most common outcrosses are purebred Friesian to Dutch Warmblood (KWPN), German Warmblood, and other European warmblood breeds.
Silhouette pictures could easily be printed by blocks that were cheaper to produce and longer lasting than detailed black and white illustrations. Silhouette pictures sometimes appear in books of the early 20th century in conjunction with colour plates. (The colour plates were expensive to produce and each one was glued into the book by hand.)
The tobiano gene produces white-haired, pink-skinned patches on a base coat color. The coloration is almost always present from birth and does not change throughout the horse's lifetime, unless the horse also carries the gray gene. It is a dominant gene, so any tobiano horse must have at least one parent who carries the tobiano gene.
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