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The 100 Landscapes of Japan (日本百景) is a list of famous scenic sites in Japan.The 100 Landscapes or Views were selected alongside further sets of 8 Views and 25 Winning Sites in 1927, a year after Hirohito became Emperor.
The Great Wave off Kanagawa, the best known print in the series (20th century reprint). Mount Fuji is in the center distance.. Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849).
A Cultural Landscape (文化的景観, bunkateki keikan) is a government-designated [1] landscape in Japan, which has evolved together with the way of life and geocultural features of a region, and which is indispensable for understanding the lifestyle of the Japanese people.
Thirty-six Views of Mount Fuji (Japanese: 富士三十六景, Hepburn: Fuji Sanjū-Rokkei) is the title of two series of woodblock prints by Japanese ukiyo-e artist Hiroshige, depicting Mount Fuji in differing seasons and weather conditions from a variety of different places and distances.
The Great Wave off Kanagawa is a landscape-format yoko-e print that was produced in an ōban size of 25 cm × 37 cm (9.8 in × 14.6 in). [18] [19] The landscape is composed of three elements: a stormy sea, three boats, and a mountain. The artist's signature is visible in the upper left-hand corner.
Japanese gardens are designed to be seen from the outside, as in the Japanese rock garden or zen garden; or from a path winding through the garden. Use of rocks: in a Chinese garden, particularly in the Ming dynasty , scholar's rocks were selected for their extraordinary shapes or resemblance to animals or mountains, and used for dramatic effect.
In 2009, in celebration of its 135th anniversary, the Yomiuri Shimbun formed a selection committee and, together with its readers, selected the 100 Landscapes of Heisei (平成百景).
The Rinpa school, best represented by Tawaraya Sōtatsu and Ogata Kōrin, used vibrant colors to depict classical themes from Japanese literature and Heian period poetry. [13] In the 18th century, paintings of Yuan dynasty scholar-amateur painters were brought to Japan and imitated, giving rise to the Nanga or Bunjinga style of painting.