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The following is a family tree of gods, goddesses, and other divine and semi-divine figures from Ancient Greek mythology and Ancient Greek religion. Chaos The Void
Besides the twelve Olympians, there were many other various cultic groupings of twelve gods throughout ancient Greece. The earliest evidence of Greek religious practice involving twelve gods (Greek: δωδεκάθεον, dōdekátheon, from δώδεκα dōdeka, "twelve", and θεοί theoi, "gods") comes no earlier than the late sixth century ...
God of intellect and the axis of heaven around which the constellations revolved. Κρεῖος (Kreîos) Crius: The least individualized of the Twelve Titans, he is the father of Astraeus, Pallas, and Perses. Implied to be the god of constellations. Κρόνος (Krónos) Cronus: God of harvests and personification of destructive time.
Galatea (video game) Gladiator: Sword of Vengeance; Glory of Heracles; Glory of Heracles (video game) God Mode (video game) God of War (2005 video game) God of War II; God of War III; God of War video game collections; God of War: Ascension; God of War: Betrayal; God of War: Chains of Olympus; God of War: Ghost of Sparta; Gods (video game)
Giovanni Boccaccio Genealogia deorum gentilium, 1532. Genealogia deorum gentilium, known in English as On the Genealogy of the Gods of the Gentiles, is a mythography or encyclopedic compilation of the tangled family relationships of the classical pantheons of Ancient Greece and Rome, written in Latin prose from 1360 onwards by the Italian author and poet Giovanni Boccaccio.
Hesiod's Theogony, (c. 700 BCE) which could be considered the "standard" creation myth of Greek mythology, [1] tells the story of the genesis of the gods. After invoking the Muses (II.1–116), Hesiod says the world began with the spontaneous generation of four beings: first arose Chaos (Chasm); then came Gaia (the Earth), "the ever-sure foundation of all"; "dim" Tartarus (the Underworld), in ...
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Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.