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In the 1920s one-line poetry was rediscovered in the US by Yvor Winters, Edwin Ford Piper, Charles Reznikoff and others. Later, John Ashbery in '37 Haiku' (1984) and Allen Ginsberg in 'American Sentences' (1987-1995) demonstrated haiku in the monostich form. Ian McBryde's 2005 book Slivers consists entirely of one-line poems. [13]
The poem consists of four stanzas of five lines each. With the rhyme scheme as ABAAB, the first line rhymes with the third and fourth, and the second line rhymes with the fifth. The meter is iambic tetrameter, with each line having four two-syllable feet, though in almost every line, in different positions, an iamb is replaced with an anapest. [5]
The most famous and widely used line of verse in English prosody is the iambic pentameter, [7] while one of the most common of traditional lines in surviving classical Latin and Greek prosody was the hexameter. [8] In modern Greek poetry hexameter was replaced by line of fifteen syllables. In French poetry alexandrine [9] is the
Doha is a very old "verse-format" of Indian poetry.It is an independent verse, a couplet, the meaning of which is complete in itself. [1] As regards its origin, Hermann Jacobi had suggested that the origin of doha can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line.
The villanelle consists of five stanzas of three lines followed by a single stanza of four lines (a quatrain) for a total of nineteen lines. [8] It is structured by two repeating rhymes and two refrains: the first line of the first stanza serves as the last line of the second and fourth stanzas, and the third line of the first stanza serves as the last line of the third and fifth stanzas.
Blank verse is poetry written with regular metrical but unrhymed lines, usually in iambic pentameter. It has been described as "probably the most common and influential form that English poetry has taken since the 16th century", [1] and Paul Fussell has estimated that "about three quarters of all English poetry is in blank verse". [2]
Fragment 31 is composed in Sapphic stanzas, a metrical form named after Sappho and consisting of stanzas of three long followed by one short line. [b] Four strophes of the poem survive, along with a few words of a fifth. [1] The poem is written in the Aeolic dialect, which was the dialect spoken in Sappho's time on her home island of Lesbos.
Lines on the Antiquity of Microbes", also known simply as "Fleas", is a couplet commonly cited as the shortest poem ever written, composed by American poet Strickland Gillilan in the early 20th century. [1] The poem reads in full: