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The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models. There are also a number of standard bases which are commonly used as a first step in construction.
Axioms 1 through 6 were rediscovered by Japanese-Italian mathematician Humiaki Huzita and reported at the First International Conference on Origami in Education and Therapy in 1991. Axioms 1 though 5 were rediscovered by Auckly and Cleveland in 1995. Axiom 7 was rediscovered by Koshiro Hatori in 2001; Robert J. Lang also found axiom 7.
Origami (折り紙, Japanese pronunciation: or [oɾiꜜɡami], from ori meaning "folding", and kami meaning "paper" (kami changes to gami due to rendaku)) is the Japanese art of paper folding. In modern usage, the word "origami" is often used as an inclusive term for all folding practices, regardless of their culture of origin.
In the United States, the term kirigami was coined by Florence Temko from Japanese kiri, ' cut ', and kami, ' paper ', in the title of her 1962 book, Kirigami, the Creative Art of Paper cutting. The book achieved enough success that the word kirigami was accepted as the Western name for the art of paper cutting.
The orizuru (折鶴 ori-"folded," tsuru "crane"), origami crane or paper crane, is a design that is considered to be the most classic of all Japanese origami. [1] [2] In Japanese culture, it is believed that its wings carry souls up to paradise, [2] and it is a representation of the Japanese red-crowned crane, referred to as the "Honourable ...
This category is for origami, the Japanese art of paper folding. Other paper folding arts and mathematical aspects of paper folding are in Category:Paper folding . Subcategories