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The Berlin Secession [1] was an art movement established in Germany on May 2, 1898. Formed in reaction to the Association of Berlin Artists, and the restrictions on contemporary art imposed by Kaiser Wilhelm II, 65 artists "seceded," demonstrating against the standards of academic or government-endorsed art.
Berlin (1899–1913) — The Berlin Secession formed in reaction to the Association of Berlin Artists, and the restrictions on contemporary art imposed by Kaiser Wilhelm II, 65 artists "seceded" to create and exhibit new work, sometimes linked by terms like "Berlin Impressionism," or "German Post-Impressionism," in both cases reflecting the ...
When he met Charlotte Berend as his pupil in 1901, Corinth was already an established and well-trained painter who had already gained recognition for his works, particularly in the Berlin art scene around the Berlin Secession. He had also previously attracted attention for his self-portraits and nudes, so these subjects were not new territory ...
From 1915–25, he served as President of the Berlin Secession. [10] In 1920 an anthology of his art-historical writings was published in Berlin. [11] In 1922 his works were exhibited in the Venice Biennale. [12] On 15 March 1921 Corinth received an honorary doctorate from the University of Königsberg.
The New Secession (German: Neue Secession) was an association of expressionist artists organizing joint exhibitions in Berlin 1910–1914. The New Secession, initially led by Georg Tappert and Max Pechstein, was formed after 27 expressionistic works of art had been excluded from a 1910 exhibition of the Berlin Secession. [1]
Under the leadership of impressionist Walter Leistikow, "The XI" art group was established in 1892, and Baluschek was invited to participate in XI exhibits. In 1898 many members of XI, also led by Leistikow, formed the Berlin Secession — among them Baluschek, who became the group's secretary
Hermann Struck (Chaim Aaron ben David) was born in Berlin. He studied at the Berlin Academy of Fine Arts. In 1904, he joined the modern art movement known as the Berlin Secession. [1] In 1900, Struck met Jozef Israëls, a Dutch artist, who became his mentor. Both were recognized as leading artists of their time. [2]
City of Workers (German: Arbeiterstadt), also translated as Working-Class City, is a 1920 oil painting on canvas completed by the Berlin Secessionist painter Hans Baluschek. The 48.44 × 36.25 in (123 × 92.1 cm) work is held at the Milwaukee Art Museum.