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James Kibbie – Bach Organ Works, free downloads of the complete organ works of Johann Sebastian Bach recorded on seven historic baroque organs in Germany: Block M Records, 2007–2009. The Annual Holiday Recordings, recorded by James Kibbie on his residence organ and issued as audio "holiday cards"
Organ Works (Bach, Johann Sebastian), Orgelwerke (Bach, Johann Sebastian): Scores at the International Music Score Library Project. Accessed: 09:23, 3 April 2016 (UTC). James Kibbie – Bach Organ Works: free downloads of the complete organ works of Johann Sebastian Bach, recorded by James Kibbie on original baroque organs in Germany. Accessed ...
Organ Concerto in E-flat major, BWV 597 (Bach, Johann Sebastian) Pages at James Kibbie's Bach Organ Works website containing free downloads of recordings on various 18th-century organs in AAC and MP3 format: BWV 592 • BWV 593 • BWV 594 • BWV 595 • BWV 596
A Study of J.S. Bach’s Toccata in F Major; Free download of BWV 540 recorded by James Kibbie on the 1755 Gottfried Silbermann/Zacharias Hildebrandt organ in the Katholische Hofkirche, Dresden, Germany
In the 21st century, several recordings of BWV 565 became available online, such as a recording included in James Kibbie's Bach Organ Works project and John Scott Whiteley's broadcast for BBC TV [68] made in 2001. [69]
Prelude and Fugue in C minor, BWV 546: performance by Ton Koopman on the 1746 Hildebrandt organ in St. Wenzel, Naumburg, Germany, by courtesy of the Netherlands Bach Society (video and background information) Free download of BWV 546 recorded by James Kibbie on the 1717 Trost organ in St. Walpurgis, Großengottern, Germany
The second movement is again in two sections, one marked Adagio and another marked Grave. The insertion of a middle slow movement in an organ work was unusual for Bach, although traces of this idea can be found in other works from the same period: for example, a surviving early version of Prelude and Fugue in C Major, BWV 545, contains a slow Trio, which was removed from the final version, but ...
During his period in Weimar his fame as an organist grew, and he was visited by students of the organ to hear him play and to try to learn from his technique. [3] The piece appeared in 1867 in the first complete edition of the composer's works, the Bach-Gesellschaft-Ausgabe. The volume in question was devoted to organ music and edited by ...