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Organ Works (Bach, Johann Sebastian), Orgelwerke (Bach, Johann Sebastian): Scores at the International Music Score Library Project. Accessed: 09:23, 3 April 2016 (UTC). James Kibbie – Bach Organ Works: free downloads of the complete organ works of Johann Sebastian Bach, recorded by James Kibbie on original baroque organs in Germany. Accessed ...
In 1895–1896, Max Reger made a number of arrangements of Bach's organ works, both for piano duet and for piano solo. The four-hand arrangement of BWV 543 comes from his collection Ausgewählte Orgelwerke, published in 1896 by Augener & Co in London and G. Schirmer in New York, contains ten pieces, with a high level of difficulty.
BWV 131a – Fugue in G minor, BWV 131a for organ. Doubtful arrangement of a choral fugue from BWV 131; BWV 1026 – Fugue in G minor for violin and harpsichord. Once considered spurious, current thinking [by whom?] is that this is an early work by Bach. [42]
In the 1905 first version of his Bach biography, Albert Schweitzer leaves BWV 565 unmentioned in the chapter on the organ works. [91] In André Pirro's 1906 biography, Bach's organ toccatas are only mentioned as a group. He considers none of them written before Bach's later Weimar years (so closer to 1717 than to 1708).
The beginning of the BWV 548 Prelude, in the hand of J.S. Bach. Prelude and Fugue in E minor, BWV 548 is a piece of organ music written by Johann Sebastian Bach sometime between 1727 and 1736, [1] during his time in Leipzig. The work is sometimes called "The Wedge" due to the chromatic outward motion of the fugue theme. [1]
Despite this, there was still much confusion. Some authors preferred to list Bach's works according to Novello's editions, or Augener's, or Schirmer's, giving rise to various conversion tables at the end of books on Bach's compositions (e.g. Harvey Grace's in a 1922 book on Bach's organ compositions).
Although Bach created a unique compositional genre in this collection of sonatas, the roots of the organ trio can be traced back to the works of earlier composers and some of Bach's own earlier compositions for organ. Bach had in his possession many organ works by seventeenth century French organists such as Boyvin, Clérambault, Grigny ...
Theme. The fugue's four-and-a-half measure subject in G minor is one of Bach's most recognizable tunes. The fugue is in four voices. During the episodes, Bach uses one of Arcangelo Corelli's most famous techniques: imitation between two voices on an eighth note upbeat figure that first leaps up a fourth and then falls back down one step at a time.