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The detachment of wall paintings involves the removal of a wall painting from the structure of which it formed part. While detachment was once a common practice, the preservation of art in situ is now preferred, and detachment is now largely restricted to cases where the only alternative is total loss. [ 1 ]
Cave art hoax with accompanying exhibit label, hung on a wall in the British Museum, removed after two or three days and subsequently accessioned; in 2005. [1]Two works jetwashed away and a third work, of a boy holding a stereo and a teddy bear, the subject of legal action opposing its ablation by Hackney Council in order "to keep streets clean", in Dalston, London; in 2009.
Some commentators, such as Donn Zaretsky of The Art Law Blog critique the notion of "the public trust" and argue that deaccessioning rules should probably be thrown out altogether. [15] Others, such as Susan Taylor, director of the New Orleans Museum of Art and the AAMD's current president, believes that proceeds from the sale or funds from the ...
A museum gallery at the Asia Society in Manhattan A commercial gallery (Foster/White) in Seattle, Washington. An art gallery is a room or a building in which visual art is displayed. In Western cultures from the mid-15th century, a gallery was any long, narrow covered passage along a wall, first used in the sense of a place for art in the 1590s ...
In use as early as 1900, rock lath (also known as "button board," "plaster board" or "gypsum-board lath"), is a type of gypsum wall board (essentially an early form of drywall) with holes spaced regularly to provide a 'key' for wet plaster. [3] Rock lath was typically produced in sheets sized 2 by 4 feet (610 by 1,220 mm).
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