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The lotus was one of the two earliest Egyptian capitals motifs, the topmost members of a column. At that time, the motifs of importance are those based on the lotus and papyrus plants respectively, and these, with the palm tree capital, were the chief types employed by the Egyptians, until under the Ptolemies in the 3rd to 1st centuries BC ...
Nefertem (/ ˈnɛfərˌtɛm /; possibly "beautiful one who closes" or "one who does not close"; also spelled Nefertum or Nefer-temu) was, in Egyptian mythology, originally a lotus flower at the creation of the world, who had arisen from the primal waters. [2] Nefertem represented both the first sunlight and the delightful smell of the Egyptian ...
The cobra is one aspect of the Eye of Ra, which can also take the form of a woman (the word eye is feminine in Egyptian) or a dangerous lioness. The function of the Uraeus is clear. This female snake is a powerful symbol of protection, power and benevolence. [24] Attached to the pharaoh's forehead, the cobra spits venom fire at the kingdom's ...
Most early Egyptian forms of the motif appear later in Crete, Mesopotamia, Assyria and Ancient Persia, including the daisy-wheel-style lotus and bud border. [11] In the form of the palmette that appears most frequently on Greek pottery , [ 12 ] often interspersed with scenes of heroic deeds, the same motif is bound within a leaf-shaped or lotus ...
The djed, an ancient Egyptian symbol meaning 'stability', is the symbolic backbone of the god Osiris. The djed, also djt (Ancient Egyptian: ḏd 𓊽, Coptic ϫⲱⲧjōt "pillar", anglicized /dʒɛd/) [ 1 ] is one of the more ancient and commonly found symbols in ancient Egyptian religion. It is a pillar -like symbol in Egyptian hieroglyphs ...
The lotus chalice is carved from a single piece of alabaster. The chalice takes the shape of a white lotus in full bloom, identified by its rounded petals. The supports for the handles are shaped like blue lotus flowers which are flanked by buds growing upward, with the god Heh seated on a basket (the neb symbol) on the tips of the petals.
Neues Museum, Berlin. In Egyptian hieroglyphs, a cartouche (/ kɑːrˈtuːʃ / kar-TOOSH) is an oval with a line at one end tangent to it, indicating that the text enclosed is a royal name. [1] The first examples of the cartouche are associated with pharaohs at the end of the Third Dynasty, but the feature did not come into common use until the ...
Tattooing has been practiced across the globe since at least Neolithic times, as evidenced by mummified preserved skin, ancient art and the archaeological record. [1][2] Both ancient art and archaeological finds of possible tattoo tools suggest tattooing was practiced by the Upper Paleolithic period in Europe.