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Ivan the Terrible and His Son Ivan on 16 November 1581 [a] is a painting by Russian realist artist Ilya Repin made between 1883 and 1885. It depicts the grief-stricken Russian tsar Ivan the Terrible cradling his dying son, the Tsarevich Ivan Ivanovich, shortly after Ivan the Terrible had dealt a fatal blow to his son's head in a fit of anger.
The Son of Man (French: Le fils de l'homme) is a 1964 painting by the Belgian surrealist painter René Magritte. It is perhaps his best-known artwork. [1] Magritte painted it as a self-portrait. [2] The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which are the sea and a cloudy sky. The man ...
Saturn Devouring His Son is a painting by Spanish artist Francisco Goya.It is traditionally considered a depiction of the Greek myth of the Titan Cronus, whom the Romans called Saturn, eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him.
Breaking Home Ties is a painting by American illustrator Norman Rockwell, created for the September 25, 1954, cover of The Saturday Evening Post.The picture represents a father and son waiting for a train that will take the young man to the state university.
The Acrobats (or The Wounded Child) is an oil-on-canvas painting created in 1874 by French artist Gustave Doré.It represents a family of acrobats, who work in a circus, struck by a tragedy: their son, mortally wounded in the head, lies in the arms of his mother after an accident during a tightrope walking performance.
Portrait of an Unknown Man, Holding his Gloves and a Letter [79] c. 1540: Oil and tempera on oak 56 × 48 cm: Private collection Portrait of an Unknown Man [80] c. 1540–43 Oil and tempera on oak 44.4 × 34.2 cm: English Heritage, Audley End House: Portrait Miniature of Henry Brandon [81] 1541 Bodycolour on vellum mounted on playing card 5.7 ...
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The Portrait of a Man Holding a Letter, also known as The Lawyer, is an oil on canvas painting by Italian painter Giovanni Battista Moroni, from 1570-1572. It is held at the National Gallery, in London. It is considered one of the most representative paintings of the artist's maturity. [1] [2] [3]