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The Aphrodite of Knidos (or Cnidus) was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity .
The sanctuary was dedicated to the goddess under her name Aphrodite Euploia or 'Aphrodite of the Fair Voyage', which was her name in her capacity of a sea goddess, an aspect very popular among sailors. [1] It was a significant sanctuary, famous in the ancient world for hosting the first cult statue of the goddess depicted naked, which was ...
Knidos sundial. The agora, the theatre, an odeum, a temple of Dionysus, a temple of the Muses, a temple of Aphrodite [10] and a great number of minor buildings have been identified, and the general plan of the city has been very clearly made out. The most famous statue by Praxiteles, the Aphrodite of Knidos, was made for Cnidus.
Since the statue's discovery, it has become one of the most famous works of ancient Greek sculpture in the world. The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus. Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The statue is ...
The sixth-century rhetorician Choricius of Gaza also says that Praxiteles used her as a model for a statue of Aphrodite, though according to him it was one commissioned by the Spartans. [56] It is not mentioned by other ancient authors who discuss both Phryne and the Knidia, such as Pliny the Elder , and Clement of Alexandria names the model ...
The statue showed a nude Aphrodite modestly covering her pubic region while resting against a water pot with her robe draped over it for support. [272] [273] The Aphrodite of Knidos was the first full-sized statue to depict Aphrodite completely naked [274] and one of the first sculptures that was intended to be viewed from all sides.
The Colonna Venus is a Roman marble copy of the lost Aphrodite of Cnidus sculpture by Praxiteles, conserved in the Museo Pio-Clementino as a part of the Vatican Museums' collections. It is now the best-known and perhaps most faithful Roman copy of Praxiteles's original.
Praxiteles' Aphrodite of Knidos, which survives in copies, was often referenced to and praised by Pliny the Elder. Lysistratus is said to have been the first to use plaster molds taken from living people to produce lost-wax portraits, and to have also developed a technique of casting from existing statues.