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"Unravel" is the third song on the album Homogenic by Björk, which was released in 1997. The song features a prominent example of Björk's use of a half-singing, half-speaking technique which, according to folklorist Njáll Sigurðsson, is comparable to that of Old Icelandic choirmen.
Homogenic is the third studio album by Icelandic recording artist Björk. [a] It was released on 22 September 1997 by One Little Indian Records.Produced by Björk, Mark Bell, Guy Sigsworth, Howie B, and Markus Dravs, the album marked a stylistic change, focusing on similar-sounding music combining electronic beats and string instruments with songs in tribute to her native country Iceland.
Icelandic singer and songwriter Björk has recorded more than two hundred songs for ten studio albums, two soundtrack albums, a compilation album, six remix albums and three collaboration albums. She is the sole writer and producer of most of the songs included in her albums. She also sometimes plays instruments during her recording sessions.
Most of the song's lyrics speak directly to incidents in Sarah Kane's 1998 dark-themed play Crave, so much so that it was titled "Crave" up to the last minute. [66] " Sun in My Mouth" is an adaptation of E. E. Cummings ' poem "I will wade out/Till my thighs are steeped in burning flowers", with an emphasis on the vocal and accompaniment ...
Some lyrics were rewritten, perhaps to prevent spoiling crucial plot details, since the soundtrack was released in stores before the movie opened in theaters, or to make the record flow better as a stand-alone album. In particular, on the song "I've Seen It All", Thom Yorke performs the words sung by Peter Stormare in the film.
"I've Seen It All" is a song recorded by Icelandic singer Björk for the Dancer in the Dark soundtrack, Selmasongs (2000). It was written by the singer, along with Sjón and Lars von Trier (who also directed the film). It was released as the first promotional single from Selmasongs on 21 July 2000, by One Little Indian Records.
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[28] The closing track "The Anchor Song" is the only one in the album solely produced by Björk. One of the three songs to appear on her first demo cassette of 1990, it features Oliver Lake playing the saxophone, in an arrangement that replicated the "ebb and tide of an ocean's peaking tops, an image reinforced by Björk's fiercely patriotic ...