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Osiris was the Egyptian god of the afterlife. Ancient Egyptians believed that kings preserved in the likeness of Osiris would rule the Kingdom of the Dead. It never totally replaced the older cult of the sun, in which dead kings were thought to be reanimated as the sun-god Re, whose body was made of gold and lapis lazuli.
(Greek mythology) Tyet, the ancient Egyptian symbol of the goddess Isis. It seems to be called "the Knot of Isis" because it resembles a knot used to secure the garments that the Egyptian gods wore. (Egyptian mythology) Girdle of Brynhildr, Siegfried takes her girdle which makes Brynhildr lose her supernatural strength. (Norse mythology)
Anubis (/ ə ˈ nj uː b ɪ s /; [3] Ancient Greek: Ἄνουβις), also known as Inpu, Inpw, Jnpw, or Anpu in Ancient Egyptian (Coptic: ⲁⲛⲟⲩⲡ, romanized: Anoup), is the god of funerary rites, protector of graves, and guide to the underworld, in ancient Egyptian religion, usually depicted as a canine or a man with a canine head. [4]
In Egyptian mythology, these powerful gods were considered the original holders of royal power and the first rulers of the Nile Valley. As successor to the gods, the pharaoh never appeared bareheaded in public, given his sacrosanct function. In Egyptian iconography, royal attributes appeared as early as the dawn of civilization.
Ancient Egyptian deities were an integral part of ancient Egyptian religion and were worshiped for millennia. Many of them ruled over natural and social phenomena, as well as abstract concepts [1] These gods and goddesses appear in virtually every aspect of ancient Egyptian civilization, and more than 1,500 of them are known by name. Many ...
The Uraeus (/ j ʊəˈr iː ə s /) [1] or Ouraeus (Ancient Greek: Οὐραῖος, Greek pronunciation: [οὐραῖος] ⓘ; Egyptian: jꜥrt, "rearing cobra", plural: Uraei) is the stylized, upright form of an Egyptian cobra, used as a symbol of sovereignty, royalty, deity and divine authority in ancient Egypt.
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Nefertiti bust, from the 18th dynasty, New kingdom Egyptian death mask from the 18th dynasty. Louvre, Paris portrait of Meritamun, 19th dynasty of Egypt. Portraiture in ancient Egypt forms a conceptual attempt to portray "the subject from its own perspective rather than the viewpoint of the artist ... to communicate essential information about the object itself". [1]