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Sophocles [a] (c. 497/496 – winter 406/405 BC) [2] was an ancient Greek tragedian known as one of three from whom at least one play has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus and earlier than, or contemporary with, those of Euripides.
Oedipus Rex, also known by its Greek title, Oedipus Tyrannus (Ancient Greek: Οἰδίπους Τύραννος, pronounced [oidípuːs týrannos]), or Oedipus the King, is an Athenian tragedy by Sophocles. While some scholars have argued that the play was first performed c. 429 BC, this is highly uncertain. [1]
Sophocles (c. 495–406 BC): Theban plays, or Oedipus cycle: Antigone (c. 442 BC) Oedipus Rex (c. 429 BC) Oedipus at Colonus (401 BC, posthumous) Ajax (unknown, presumed earlier in career) The Trachiniae (unknown) Electra (unknown, presumed later in career) Philoctetes (409 BC) Euripides (c. 480–406 BC): Alcestis (438 BC) Medea (431 BC)
Together, these plays make up Sophocles' three Theban plays. Oedipus represents two enduring themes of Greek myth and drama: the flawed nature of humanity and an individual's role in the course of destiny in a harsh universe. In the best-known version of the myth, Oedipus was born to King Laius and Queen Jocasta of Thebes. Laius wished to ...
The play is one of a triad of tragedies known as the three Theban plays, following Oedipus Rex and Oedipus at Colonus. Even though the events in Antigone occur last in the order of events depicted in the plays, Sophocles wrote Antigone first. [1]
Sophocles. Plutarch, in the Life of Cimon, recounts the first triumph of the young talented Sophocles against the famous and hitherto unchallenged Aeschylus. [17] This competition ended in an unusual manner, without the usual draw for the referees, and caused the voluntary exile of Aeschylus to Sicily.
The State Department said an American teacher arrested in Russian on drug charges in 2021 has been designated by the U.S. government as wrongfully detained.
Aeschylus Sophocles Euripides. Ancient Greek tragedies were most often based upon myths from the oral traditions, exploring human nature, fate, and the intervention of the gods. They evoke catharsis in the audience, a process through which the audience experiences pity and fear, and through that emotional engagement, purges these emotions.