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The Boss MT-2 Metal Zone is a distortion pedal released by Boss in 1991. Designed for the death metal genre, the Metal Zone is characterized by its thick, tight tone and expanded EQ controls. [ 1 ] The extreme sounds the pedal is capable of producing made it successful yet divisive upon its release.
Boss has since released several pedals using COSM, including the FBM-1 '59 Fender Bassman pedal and FDR-1 '65 Fender Deluxe Reverb pedal, introduced at the Winter NAMM show in January 2007. All Boss compact pedals use a "buffered bypass" type of silent foot switching utilizing Field Effect Transistors (FETs) to avoid clicks and pops.
The Boss HM-2 Heavy Metal is a distortion pedal manufactured by Boss from October 1983 until October 1991. Designed to emulate a Marshall stack , it became associated with Swedish death metal and gained a cult following in the heavy metal scene .
The Boss DS-1 is a distortion pedal for guitar, manufactured by the Roland Corporation under the brand name Boss since 1978. The first distortion effects unit made by Boss, [1] it has become a classic effect, used by many notable guitar players. [2] Boss released a successor, the DS-2. [3]
Boss CE-1 – Released in 1976, it was one of the first chorus effect pedals commercially available, based on the same circuit from the Roland Jazz Chorus amplifier. It was originally conceived for keyboard and synthesizer players, but guitarists have utilized it as well, like John Frusciante ( Red Hot Chili Peppers ).
In 2007, the Roland subsidiary Boss released the RE-20 pedal, with digital modelling of the original Space Echo sound. [3] It includes a "twist" feature that increases the feedback and speed of the delay, creating a "swirling cacophony" effect. [3] In 2023, Boss released an updated pedal, the RE-202, alongside the smaller RE-2. [3]
A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
Live looping is the recording and playback of a piece of music in real-time [1] using either dedicated hardware devices, called loopers or phrase samplers, or software running on a computer with an audio interface.