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Unison or perfect unison (also called a prime, or perfect prime) [3] may refer to the (pseudo-) interval formed by a tone and its duplication (in German, Unisono, Einklang, or Prime), for example C–C, as differentiated from the second, C–D, etc. In the unison the two pitches have the ratio of 1:1 or 0 half steps and zero cents.
The term perfect identifies this interval as belonging to the group of perfect intervals, so called because they are neither major nor minor. A perfect fourth in just intonation corresponds to a pitch ratio of 4:3, or about 498 cents (Play ⓘ), while in equal temperament a perfect fourth is equal to five semitones, or 500 cents (see additive ...
The just perfect fifth can be heard when a violin is tuned: if adjacent strings are adjusted to the exact ratio of 3:2, the result is a smooth and consonant sound, and the violin sounds in tune. Keyboard instruments such as the piano normally use an equal-tempered version of the perfect fifth, enabling the instrument to play in all keys.
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Construction, Tuning and Care of the Piano-forte (1887) by Edward Quincy Norton; Regulation and Repair of Piano and Player Mechanism, Together with Tuning as Science and Art (1909) by William Braid White; Modern piano tuning and allied arts (1917) by William Braid White (1878–1959) Biddle, Horace Peters (1867). The Musical Scale. Oliver ...
Pythagorean perfect fifth on C Play ⓘ: C-G (3/2 ÷ 1/1 = 3/2).. In musical tuning theory, a Pythagorean interval is a musical interval with a frequency ratio equal to a power of two divided by a power of three, or vice versa. [1]