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In the philosophy of language, "Arche-writing" (French: archi-écriture "arche-" meaning "origin, principle, or telos" [citation needed]) is a concept introduced by French philosopher Jacques Derrida which refers to an abstract kind of writing that precedes both speech and actual writing. [1]
Typography is the art and technique of setting written subject matter in type using a combination of typeface styles, point sizes, line lengths, line leading, character spacing, and word spacing to produce typeset artwork in physical or digital form. The same block of text set with line-height 1.5 is easier to read: Typography is the art and technique of setting written subject matter in type ...
In typesetting and page layout, alignment or range is the setting of text flow or image placement relative to a page, column (measure), table cell, or tab (and often to an image above it or under it). The type alignment setting is sometimes referred to as text alignment, text justification, or type justification.
In typesetting, widows and orphans are single lines of text from a paragraph that dangle at either the beginning or end of a block of text, or form a very short final line at the end of a paragraph. [1] When split across pages, they occur at either the head or foot of a page (or column), unaccompanied by additional lines from the same paragraph ...
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Line breaking, also known as word wrapping, is breaking a section of text into lines so that it will fit into the available width of a page, window or other display area. In text display, line wrap is continuing on a new line when a line is full, so that each line fits into the viewable window, allowing text to be read from top to bottom ...
Note wider spacing of the word gesperrt ("letterspaced"). Another means of emphasis is to increase the spacing between the letters, rather than making them darker, but still achieving a distinction in blackness. This results in an effect reverse to boldface: the emphasized text becomes lighter than its environment.
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