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"Empire State of Mind" is a hip-hop song that features rap verses from Jay-Z and vocals during the song's chorus from Keys. The piano component that runs throughout the song contains a sample of the 1970 single "Love on a Two-Way Street", written by Burt Keyes and Sylvia Robinson, performed by The Moments. [7]
"My Block" is a song by American rapper Scarface and the second single released from his seventh studio album The Fix (2002). The song samples the piano intro from the 1971 Roberta Flack and Donny Hathaway song "Be Real Black For Me". "My Block" made it to 46 on the Billboard Hot R&B/Hip-Hop Songs.
"Jump Around" is a song by American hip hop group House of Pain, produced by DJ Muggs of Cypress Hill, who has also covered the song, and was released in May 1992 by Tommy Boy and XL as the first single from their debut album, House of Pain (1992). The song became a hit, reaching number three in the United States.
The song was written by the artists alongside Emile, Jeff Bhasker, Mike Dean, and Malik Yusef with the first three co-producing it with West. The composition features repetitive piano riffs, intricate samples and a production style with several similarities to West's previous album 808s & Heartbreak (2008). Described as a deeply personal song ...
The song features a hip hop skit provided by comedian Chris Rock. It uses the piano composition "Avril 14th" by Aphex Twin. Lyrically, the song contains West's thoughts on past break-ups and explores themes of unrequited love, heartbreak, and spousal abuse. Midway through the song, Rock delivers an extended monologue as the new boyfriend of ...
Driven by the piano and saxophone sample of the Fatback Band's "Gotta Learn How To Dance", "Streets of New York" is a hardcore hip hop song about the social issues in New York City's ghettos, such as alcoholism, domestic violence, drug abuse, gambling addiction, gun violence, homelessness, police corruption, poverty and prostitution.
"Give It to Me" is an electro and hip hop song with club music sensibilities. [10] It features a space-age sound that is built of skeletal synths, percussion, bass, low range horns, breathless drums, and digitized keyboards. [7] [11] Andy Kellman of AllMusic describes it as a "leisurely club track full of swagger". [12]
The same week as its debut on the Hot Rap Songs chart, the song entered the US Hot R&B/Hip-Hop Songs chart at number 84. [26] The song debuted at number 96 on the US Billboard Hot 100 for the issue dated March 12. [27] "C.R.E.A.M." eventually peaked at number 60 on the Hot 100 on April 23, 1994.