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A dirge (Latin: dirige, nenia [1]) is a somber song or lament expressing mourning or grief, such as may be appropriate for performance at a funeral. Often taking the form of a brief hymn, dirges are typically shorter and less meditative than elegies. [2] Dirges are often slow and bear the character of funeral marches.
"Man Was Made to Mourn" is an eleven stanza dirge by Robert Burns, first published in 1784. [4] [2] The poem was originally intended to be sung to the tune of the song "Peggy Bawn". It is written as if it were being delivered by a wiser old man to a "young stranger" standing in the winter on "the banks of Aire". [2] It includes the stanza:
An early example is Giroust 's cantata Le déluge (1784), composed to commemorate a free-mason of the Paris lodge. Even Mozart 's Maurerische Trauermusik (1785), an original composition that combines the cantus firmus with a march and presents various characteristics similar to those of the funeral march, is dedicated to the memory of two ...
A dirge is a song meant to invoke and express the emotions of grief and mourning that are typical of a funeral. Images of nature are used to symbolize the grief he feels, such as the moaning and wild wind, the sullen clouds, the sad storm, the bare woods, the deep caves, and the dreary main.
Similar terms include "dirge", "coronach", "lament" and "elegy". The Epitaphios Threnos is the lamentation chanted in the Eastern Orthodox Church on Holy Saturday. John Dryden commemorated the death of Charles II of England in the long poem Threnodia Augustalis, and Ralph Waldo Emerson wrote a "Threnody" in memory of his son. [3]
A high pitch drill sound squeals at the start of “Dirge,” and in the song’s breakdown, ... As examples, Ellard points to the song’s structures. “There were interesting time signatures ...
Planctus – Composition mourning the death of a notable figure, often in a liturgical context, similar in function to a dirge. Rondeau – French poetic-musical form. Trecento Madrigal – Secular polyphonic vocal composition. Virelai – French poetic-musical form.
The earliest known example, the Planctus de obitu Karoli, was composed around 814, on the death of Charlemagne. [ 1 ] Other planctus from the ninth century include vernacular laments in a woman's voice, Germanic songs of exile and journeying, and planctus on biblical or classical themes (like the Latin Planctus cygni , which is possibly derived ...