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Jean-Marc Barr (born September 27, 1960) is a French-American film actor and director. He is best known for working on several films from Danish film director and frequent collaborator Lars von Trier since Europa (1991).
Lovers is a 1999 French drama film directed by Jean-Marc Barr. It was the fifth film and the first non-Danish film to be made under the self-imposed rules of the Dogme 95 manifesto. [ 2 ]
The film stars Jean-Marc Barr, Radha Mitchell and features the voice of Jane Birkin. The film was co-produced by Altaire Productions and Midnight Coffee Films, with post-production funds successfully raised via crowdfunding on Kickstarter. [1] [2]
The opening title music was Paul Misraki's "Qu'est-ce qu'on attend pour être heureux", sung by Patrick Bruel and Johnny Hallyday from Bruel's album Entre deux.The end title music was Serge Gainsbourg's "L'Anamour", sung by Jane Birkin from her album Versions Jane.
Nymphomaniac (stylised as NYMPH()MANIAC onscreen and in advertising) is a 2013 erotic art film written and directed by Lars von Trier.The film stars Charlotte Gainsbourg, Stellan Skarsgård, Stacy Martin, Shia LaBeouf, Christian Slater, Jamie Bell, Uma Thurman, Jean-Marc Barr, Willem Dafoe, Connie Nielsen, and Mia Goth in her debut.
Unbeknownst at first to both Anita and Eva, Alice escapes from France and leaves for Portugal to reunite with her supposedly dead father. Eva's henchmen chase after her. Alice meets a mercenary while escaping, Hugo (Jean-Marc Barr), who then joins Alice as her protector on her journey to find her father. Anita travels after her, as well.
Jean-Marc Barr (pictured 2002) played the Charmless Man in the music video. The video was directed by Jamie Thraves.It starts with a man (the Charmless Man, played by Jean-Marc Barr) running down a dark street with a makeshift bandage or wrapping on his right hand, while cross cut edits show Blur playing in a music hall.
French-American filmmaker Jean-Marc Barr and American filmmaker Harmony Korine are also seen as major figures in the movement. Breaking the Waves (1996), von Trier's first film under his own production company Zentropa, is often considered the first project to come from the movement despite breaking many of the movement's rules. [2]