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A "Mexican standoff" is a common film trope. In cinema, a trope is a type of stereotypical situation or mannerism of a character that is commonly used in its setting or genre. [1] A common thematic trope is the rise and fall of a mobster in a classic gangster film. The film genre also often features the sartorial trope of a rising gangster ...
Pun or paronomasia - A form of word play that exploits multiple meanings of a term, or of similar-sounding words. Antanaclasis – The stylistic trope of repeating a single word, but with a different meaning each time; antanaclasis is a common type of pun, and like other kinds of pun, it is often found in slogans.
The Magical Negro is a supporting stock character in fiction who, by means of special insight or powers often of a supernatural or quasi-mystical nature, helps the white protagonist get out of trouble.
Examples Gangster's moll In film noir movies about crime, the gangster's moll is usually an attractive, blonde — often a variant of the bimbo stereotype — who may be a former showgirl. The gangster often uses the moll as a "trophy" to boost his status. The gangster's girlfriend in the 1931 film The Public Enemy
Speaking about quotes, the Instagram page Movie Quotes posts some of the most memorable ones from movies and TV shows, so we have compiled the best ones for you. Some of them will definitely ...
Film critic Nathan Rabin coined the term in 2007 in his review of the 2005 film Elizabethtown for The A.V. Club.In discussing Kirsten Dunst's character, he said "Dunst embodies a character type I like to call The Manic Pixie Dream Girl", a character who "exists solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its ...
The white savior is a cinematic trope in which a white central character rescues non-white (often less prominent) characters from unfortunate circumstances. [1] This recurs in an array of genres in American cinema, wherein a white protagonist is portrayed as a messianic figure who often gains some insight or introspection in the course of rescuing non-white characters (or occasionally non ...
The original meaning of "final girl", as described by Clover in 1987, is quite narrow. Clover studied slasher films from the 1970s and 1980s (which is considered the golden age of the genre) [7] and defined the final girl as a woman who is the sole survivor of the group of people (usually youths) who are chased by a villain and who gets a final confrontation with the villain (whether she kills ...