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The Czechoslovak underground or Prague undergound was a dissident underground culture that developed in Communist Czechoslovakia, centred on Prague, especially around the 1970s during the normalization period.
Czech art is the visual and plastic arts that have been created in the Czech Republic and the various states that formed the Czech lands in the preceding centuries. The Czech lands have produced artists that have gained recognition throughout the world, including Alfons Mucha , widely regarded as one of the key exponents of the Art Nouveau ...
Art had to adhere to a rigid formula of socialist realism. Soviet examples were held up for emulation. During the 1970s and 1980s, many of Czechoslovakia's most creative individuals were silenced, imprisoned, or sent into exile. Some found expression for their art through samizdat. Those artists, poets, and writers who were officially ...
Bruegel, J. W. Czechoslovakia before Munich (1973). Cabada, Ladislav, and Sarka Waisova, Czechoslovakia and the Czech Republic in World Politics (Lexington Books; 2012), foreign policy 1918 to 2010; Felak, James Ramon. At the price of the Republic: Hlinka's Slovak People's Party, 1929–1938 (U of Pittsburgh Press, 1995). Korbel, Josef.
Havel's Place is a public art project, which creates a series of memorial places dedicated to the last president of Czechoslovakia and the first president of the Czech Republic, Václav Havel. The installation consists of two garden chairs around a round table, usually with a tree going through its middle.
The Czech Republic has been home to many architectural jewels and renowned architects. Peter Parler's contributions to gothic Prague, Benedikt Rejt's late gothic deconstructivistic work, father and son Dietzenhofers' baroque works, Santini's unique baroque style, Fanta's and Polívka's Art Nouveau landmarks of the early 20th century Prague, Rondocubist attempts of Gočár and Janák at ...
Czech losses resulting from political persecution and deaths in concentration camps totaled between 36,000 and 55,000. The Jewish populations of Bohemia and Moravia (118,000 according to the 1930 census) were virtually annihilated.
In 1943, he participated in the Art in Exile exhibition at the New York Public Library and, together with Antonín Plec, had an exhibition of political cartoons at the Museum of Modern Art, which was opened by Edvard Beneš. The collection of cartoons then travelled to other cities in the USA and Canada until 1944.