Search results
Results From The WOW.Com Content Network
Lyrical Abstraction is a type of freewheeling abstract painting that emerged in the mid-1960s when abstract painters returned to various forms of painterly, pictorial, expressionism with a focus on process, gestalt and repetitive compositional strategies in general.
Both geometric abstraction and lyrical abstraction are often totally abstract. Among the very numerous art movements that embody partial abstraction would be for instance fauvism in which color is conspicuously and deliberately altered vis-a-vis reality, and cubism, which alters the forms of the real-life entities depicted. [3] [4]
Color field painting actually encompasses three separate but related generations of painters. Commonly used terms to refer to the three separate but related groups are abstract expressionism, post-painterly abstraction, and lyrical abstraction. Some of the artists made works in all three eras, that relate to all of the three styles.
The Orphists were rooted in Cubism but tended towards a pure lyrical abstraction. They saw art as the unification of sensation and color. More concerned with sensation, they began with recognizable subjects, depicted with abstract structures. Orphism aimed to vacate recognizable subject matter by concentrating exclusively on form and color. The ...
This style was about more than just the paintings, as it also referred to concepts such as lyrical abstraction and painting styles such as tachisme, and matter painting. Artists were inspired by European paintings, as well as American expressionism, while using automatism as their way of conveying this new style of art. [7]
More directly, as Rogé Karma recently noted in The Atlantic, the single biggest success of President Trump’s first term came by way of the long-serving experts and career bureaucrats who helped ...
Lyrical abstraction shares similarities with color field painting and abstract expressionism especially in the freewheeling usage of paint — texture and surface. Direct drawing, calligraphic use of line, the effects of brushed, splattered, stained, squeegeed, poured, and splashed paint superficially resemble the effects seen in abstract ...
Kamila Pritchett, a historian and Executive Director of the Black Archives at the Lyric Theater, has collected articles and photos from Miami's Tropical Dispatch documenting the eviction.