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Gendang beleq is a dance and music performance from Lombok island, Indonesia. [1] It is a popular performance among the native Sasak people.. The name gendang beleq is a Sasak language term, which means "big drum (big gendang)", [2] as the performance is about a group of musicians playing, dancing and marching with their traditional instruments, centered on two big drum (gendang) players.
The Gendang Beleq dance is performed in a group form of orchestra. [6] The orchestra consists of two gendang beleqs, that are male gendang mama and female gendang nina to carriers the dynamics. Kodeq drum, a sniper rifle and a code shooter as a rhythmic tool. While a gong and two reogs, that are reog nina and reog mama to carriers the melody.
Gendang beleq is a traditional music from Lombok island, Indonesia. The name gendang beleq is a Sasak language term, which means " big drum (big gendang ) ", [ 16 ] as the performance is about a group of musicians playing, dancing and marching with their traditional instruments, centered on two big drum ( gendang ).
The bedug is commonly used in mosques in Java among Javanese and Sundanese people to precede the adhan as a sign of the prayer [5] or during Islamic festivals. [2] For example, the sound of a bedug is used to signal the end of the day-long fast during Ramadan and sometimes it is used to signal time for Suhoor during Ramadan. [ 6 ]
The festival at Pura Lingsar is held every 6th full moon or purnamaning sasih kenem on Balinese saka calendar dan 7th full moon or sasih kepitu on Sasak calendar. [2] When festival there will held ritual Perang Topat and attraction of Batek Baris accccompanied by gendang beleq [4]
As scholars note, dangdut is the most controversial genre regarding its relation to Indonesian Islamic morality, [13] and few popular music genres around the world are more focused on women's bodies than dangdut, [14] whose lyrics often portray women as sexual objects. [15] On the one side, within dangdut, a religious current (spiritual dangdut ...
It was banned by the Pan-Malaysian Islamic Party because of its animist and Hindu-Buddhist roots which pre-date Islam in the Asian region by far. [1] The late Cik Ning was a leading mak yong performer in the 1980s. In 2005, UNESCO declared mak yong theatre a "Masterpieces of the Oral and Intangible Heritage of Humanity". [2]
Kulintang music likely evolved from this simple signaling tradition, transitioning into a period consisting of one player, one-gong type ensembles (like those found among the Ifugao of Luzon or Tiruray of Mindanao), developing into a multi-gong, multiplayer ensemble with the incorporation of concepts originating from Sunda (Indonesian) and ...