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Gendang beleq is a dance and music performance from Lombok island, Indonesia. [1] It is a popular performance among the native Sasak people.. The name gendang beleq is a Sasak language term, which means "big drum (big gendang)", [2] as the performance is about a group of musicians playing, dancing and marching with their traditional instruments, centered on two big drum (gendang) players.
The Gendang Beleq dance is performed in a group form of orchestra. [6] The orchestra consists of two gendang beleqs, that are male gendang mama and female gendang nina to carriers the dynamics. Kodeq drum, a sniper rifle and a code shooter as a rhythmic tool. While a gong and two reogs, that are reog nina and reog mama to carriers the melody.
Gendang beleq is a traditional music from Lombok island, Indonesia. The name gendang beleq is a Sasak language term, which means " big drum (big gendang ) ", [ 16 ] as the performance is about a group of musicians playing, dancing and marching with their traditional instruments, centered on two big drum ( gendang ).
The bedug is commonly used in mosques in Java among Javanese and Sundanese people to precede the adhan as a sign of the prayer [5] or during Islamic festivals. [2] For example, the sound of a bedug is used to signal the end of the day-long fast during Ramadan and sometimes it is used to signal time for Suhoor during Ramadan. [ 6 ]
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Zapin (Jawi: زافين) is one of the most popular dance and musical forms in traditional Malay performing arts.Dance movements are choreographed to melodies, which are performed using musical instruments such as the gambus (short-necked lute), accordion, and rebana. [8]
Gendang (a barrel drum) Malay gamelan had more than seven musical instruments during its heyday at Istana Kolam, such as the gedemung (slentho in Javanese tradition) and gender, but only seven instruments remained and were kept after the Second World War.
It was banned by the Pan-Malaysian Islamic Party because of its animist and Hindu-Buddhist roots which pre-date Islam in the Asian region by far. [1] The late Cik Ning was a leading mak yong performer in the 1980s. In 2005, UNESCO declared mak yong theatre a "Masterpieces of the Oral and Intangible Heritage of Humanity". [2]