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As a result, Mould revises his estimate of the painting's value to be between £50,000 and £100,000. Although professional removal of the painting would be costly and not without risk, the owners decide to go ahead with this, and the work is removed safely and sent for restoration before going to auction. [70]
This rise in popularity of the artist has resulted in the removal of their paintings to be sold. One example can be seen in the removal of Girl with Red Balloon from Shoreditch, east London in 2013–2014. The painting was removed over a period of two weeks, using a diamond-bladed chainsaw to cut through 22 cm of brick.
As a result, the criteria for lining a painting is much more limited than it was previously. The main reason for lining a painting today is to strengthen a torn or otherwise weakened canvas to stabilize its condition. [3] Alternative treatments are favored in the majority of circumstances where lining was previously used.
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Mold is a dangerous library pest because of the damage it causes to the collections. Mold thrives off of paper and books; these objects provide the fungi a source of nutrition, namely the sugar and starches present in the cellulose materials. [6] Mold feeds on cloth, leather, glues, adhesives, cellulose starch and starches in the sizing.
Exposing acrylic paintings to temperatures ranging near sub zero will cause damaging cracking. Acrylic paint is highly susceptible to mold growth. This is a growing concern for artists and conservators as removal causes some degree of damage to the original paint.
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