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Body and Soul is an album by the jazz tenor saxophonist Coleman Hawkins, including recordings made between 1939 and 1956. It takes its name from one of Hawkins' most famous performances – a 1939 recording of "Body and Soul". The album also contains a 1956 recording of the same piece.
"Lester Leaps In" is a jazz standard originally recorded by Count Basie's Kansas City Seven in 1939. [1] The composition, credited to the group's tenor saxophone player Lester Young, is a contrafact based on the chord progression of "I Got Rhythm", and serves as a vehicle for interweaving solos by Young and Basie.
Solo de concert No. 4, Opus 84 for Tenor Saxophone and Piano (1862)—Jean-Baptiste Singelée; Solo de concert No. 6, Opus 92 for Tenor Saxophone and Piano (1863)—Jean-Baptiste Singelée; Premier Solo andante et bolero for tenor saxophone and piano (1866)—Jules Demersseman; Brasiliana No. 7 for Tenor Saxophone and Piano (1956)—Radamés ...
Frank Wright (July 9, 1935 – May 17, 1990) [1] was an American free jazz musician, known for his frantic style of playing the tenor saxophone.Critics often compare his music to that of Albert Ayler, although Wright "offers his honks and squawks with a phraseology derived from the slower, earthier funk of R&B and gospel music."
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist. [1] One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". [2]
The tenor saxophone became best known to the general public through its frequent use in jazz music. It was the pioneering genius of Coleman Hawkins in the 1930s that lifted the tenor saxophone from its traditional role of adding weight to the ensemble and established it as a highly effective melody instrument in its own right. Many innovative ...