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The augmented second between its second and third scale degrees gives it an "Arabic" or Middle Eastern feeling to Western listeners. In the Berklee method, it is known as the Mixolydian ♭ 9 ♭ 13 chord scale, a Mixolydian scale with a lowered 9th (2nd) and lowered 13th (6th), used in secondary dominant chord scales for V 7 /III and V 7 /VI.
Tablature (or tab for short) is a form of musical notation indicating instrument fingering or the location of the played notes rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar , lute or vihuela , as well as many free reed aerophones such as the harmonica .
The Phrygian mode (pronounced / ˈ f r ɪ dʒ i ə n /) can refer to three different musical modes: the ancient Greek tonos or harmonia, sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.
In 2006, the Archive removed all 34,000 tablatures on the site. [5] A note posted on the site indicated that those running the site had received "a 'take down' letter from lawyers representing the National Music Publishers Association and the Music Publishers Association", according to the linked letter on the front page. [6]
The double harmonic major scale [1] is a musical scale with a flattened second and sixth degree. This scale is enharmonic to the Mayamalavagowla raga, Bhairav raga, Byzantine scale, Arabic scale (Hijaz Kar), [1] [2] and Gypsy major scale. [3] It can be likened to a gypsy scale because of the diminished step between the 1st and 2nd degrees.
Composer Charles Ives chose the chord C–D –F–G –B ♭ as good possibility for a "secondary" chord in the quarter-tone scale, akin to the minor chord of traditional tonality. He considered that it may be built upon any degree of the quarter tone scale [4] Here is the secondary "minor" and its "first inversion":
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Heavily influenced by Contemporary Egyptian music and Ancient Egyptian music, the distinctive exotic middle-eastern mystical sound and atmosphere of the piece comes from the C-sharp Phrygian dominant scale, which is composed from the fifth degree of an F-sharp harmonic minor scale. When Di Meola performs it live the piece is characterised by ...