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Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid- nineteenth-century French literature ( Stendhal ) and Russian literature ( Alexander Pushkin ...
The state is the most important actor under realism. It is unitary and autonomous because it speaks and acts with one voice. The power of the state is understood in terms of its military capabilities. A key concept under realism is the international distribution of power referred to as system polarity. Polarity refers to the number of blocs of ...
Dirty Realism is the fiction of a new generation of American authors. They write about the belly-side of contemporary life – a deserted husband, an unwanted mother, a car thief, a pickpocket, a drug addict – but they write about it with a disturbing detachment, at times verging on comedy.
In the absence of any signified, Barthes argues, the textual signifiers for "real" objects had for their actual signifieds only the concept of realism itself; further, Barthes suggested that the origins of this textual device came through the development of an "aesthetic finality of language" present in the use of the rhetorical device of ...
Direct realism, also known as naïve realism, argues we perceive the world directly. In the philosophy of perception and philosophy of mind, direct or naïve realism, as opposed to indirect or representational realism, are differing models that describe the nature of conscious experiences; [1] [2] out of the metaphysical question of whether the world we see around us is the real world itself ...
Austen's conversations contain many short sentences, question and answer pairs, and rapid exchanges between characters, most memorable perhaps in the witty repartee between Elizabeth and Darcy. [27] This has made Austen's fiction popular in quoted snippets and in books of quotation. [28]
Statue of Niccolò Machiavelli. Classical realism is an international relations theory from the realist school of thought. [1] Realism makes the following assumptions: states are the main actors in the international relations system, there is no supranational international authority, states act in their own self-interest, and states want power for self-preservation. [2]
A key study in Aesthetic Realism is how an attitude to the world as a whole governs how a person sees every aspect of life, including a friend, a spouse, a book, food, people of another skin tone. Accordingly, the philosophy argues that individuals have an ethical obligation to "see the world as well as we can" and where we don't hope to see ...