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Baksa Kembang dancers are equipped with a scarf (selendang) that is used to dance so that when dancing they look elegant and charming.One of the characteristics of the Baksa Kembang dance costume is the crown on its head called the gajah gemuling, which is a crown decorated with two small bogam flowers and woven young coconut leaves which are often called halilipan.
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The kebyar duduk dance was first performed in 1925 and designed by I Ketut Marya (better known in the West as I Mario) of Tabanan, Bali. [1] In designing the kebyar duduk dance, I Mario was influenced by recent innovations in Balinese gamelan , which allowed interpretation of the music as well as a fast tempo.
Bambangan Cakil (Javanese: ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama [1] of the Javanese people in—particularly—Central Java, Indonesia. [2] This dance-drama demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene. [3]
Joko Kembang Kuning's appearance attracted many crowds who saw his performance until finally the name of this dance was called Lengger which comes from 2 Javanese syllables, 'Ledek' which means male dancer and 'Geger' which means crowd. In the end, Dewi Sekar Taji emerged from hiding and finally Joko Kembang Kuning won the competition and ...
Gendang Beleq dance is a sacred folk dance tradition of the Sasak people [1] of Lombok, West Nusa Tenggara, Indonesia. [2] This dance performance is usually accompanied by big drums, called gendang beleq. [3] Gendang beleq can be performed during life-cycle ceremonies, such as celebration of birth, circumcision, wedding and funeral.
Saba dance (Malay: Tarian Saba) is a traditional Malay dance originated in the state of Terengganu, Malaysia.It is a ritualistic dance that was used for healing purposes. [1]
Kancet Papatai is a traditional Indonesian war dance about a war hero (or Dayak Kenyah) and his struggle against the enemy. [1] The dance also describes his courage and the ceremony awarding him the title Ajai for his victory. [2] The dance movements are very agile, nimble, and energetic, and sometimes followed by cries of the dancers. [3]