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Goodbye Girl is an album by the American musician David Gates, released in 1978. [2] The title track was used in the film of the same name. [3] The album peaked at No. 165 on the Billboard 200. [4] "Took the Last Train" was released as a follow-up single, which also became a U.S. and Canadian top 40 hit.
"Goodbye Girl" is a song by David Gates, lead singer of Bread, which was released as a single in December 1977 following the premiere of the hit film of the same name. As the theme song to the film, the song reached number 15 on the Billboard Hot 100 , becoming the biggest hit of Gates' solo career. [ 1 ]
Go West is the debut studio album by the English pop duo Go West, released in April 1985 by Chrysalis Records. The album brought the band into the limelight, scoring them a string of top 40 hits in the UK and New Zealand. "We Close Our Eyes" was the most successful single, reaching No. 4 in New Zealand and No. 5 in the UK. The album itself ...
"Goodbye" is a song recorded by British girl group Spice Girls. It was written by the group, Richard Stannard , and Matt Rowe, while it was produced by the latter two. The song became the group's first song without the vocals of Geri Halliwell .
The Goodbye Girl or Goodbye Girl may also refer to: The Goodbye Girl, a 1993 Broadway musical based on the film; Goodbye Girl (David Gates album) "Goodbye Girl" (song), the title song, and the theme song from the 1977 film, later covered by Hootie & the Blowfish; The Goodbye Girl, a 2004 album by Epicure; Goodbye Girl (Miyuki Nakajima album)
The Spice Girls, an English girl group, have released three studio albums, one compilation album, 11 singles and 18 music videos.Formed in 1994, the group was made up of singers Geri Halliwell ("Ginger Spice"), Emma Bunton ("Baby Spice"), Melanie Brown ("Scary Spice"), Melanie Chisholm ("Sporty Spice") and Victoria Beckham ("Posh Spice").
The 'Minions: The Rise of Gru' soundtrack also features songs recorded by Diana Ross and Tame Impala, St. Vincent, Kali Uchis and more.
The track "Manuela Run" served as inspiration for both the album's cover art and the band's logo. [18] Though the band's sound was rooted in heavy and progressive rock, the album's ten tracks span a variety of genres that would later define Toto's style, including rock, pop, jazz, progressive rock, R&B, and soul.