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Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms, melodies, and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage.
Across Africa, soukous dominated East African nightclubs' dance floors and played a pivotal role in shaping virtually all the styles of contemporary African popular music, including benga music, muziki wa dansi, Kidandali, Igbo highlife, palm-wine music, taarab, and inspiring the establishment of approximately 350 youth orchestras in Kinshasa ...
Call it soukous, rumba, Zairois, Congo music, or kwassa-kwassa, the pop sound emanating from Congo's capital, Kinshasa has shaped modern African culture more profoundly than any other. Africa produces music genres that are direct derivatives of Congolese Soukous. Some of the African bands sing in Lingala, the main language in the DRC.
Music of the Central African Republic includes many different forms. Western rock and pop music, as well as Afrobeat, soukous and other genres have become popular nationwide. The sanza is a popular instrument. The Pygmies have a complex folk music tradition. Polyphony and counterpoint are common components, as is a varied rhythmic structure.
The music of Kenya is very diverse, with multiple types of folk music based on the variety over 50 regional languages. [1] Zanzibaran taarab music has also become popular, as has hip hop, reggae music, soul, soukous, zouk, rock and roll, funk and Europop. Additionally, there is a growing western classical music scene and Kenya is home to a ...
Awilo Longomba played a significant role in popularizing ndombolo music much across West Africa. [50] [51] He has characterized his music as "techno-soukouss", signifying a new variation of soukous that integrates elements of techno music into ndombolo, sometimes fused with electro, dance music, or Afro zouk. [52]
The album's eponymous techno-soukous-infused-single, which featured Jocelyne Béroard, became a massive hit in Africa and Europe, as well as among diaspora communities worldwide, and remains a timeless classic in African music. [63] [18] [64] [55] The song addresses the issue of poverty in Africa. [39]
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