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𤾓 Trăm 𢆥 năm 𥪞 trong 𡎝 cõi 𠊛 người 些， ta, 𤾓 𢆥 𥪞 𡎝 𠊛 些， Trăm năm trong cõi người ta, A hundred years in the realm of humanity, 2) 𡨸 Chữ 才 tài 𡨸 chữ 命 mệnh 窖 khéo 𱺵 là 恄 ghét 𠑬。 nhau. 𡨸 才 𡨸 命 窖 𱺵 恄 𠑬。 Chữ tài chữ mệnh khéo là ghét nhau. Talent and destiny resent each other. 3) 𣦰 ...
A rich family sees Tích as a good man, so they take him in as a son-in-law. Thiên Tích later learns that his new wife is Hán Anh, who was saved by his father and adopted into her current family. Years later, Thiên Tích becomes an upright official through two dynasties , but is also revengeful because of his mistreatment in the past.
The Story of the Virtuous Wife in Khoái Châu is the second story of Nguyễn Dữ's Truyền kỳ mạn lục collection, [1] published in the first volume. [2]Từ Đạt from Khoái Châu and Phùng Lập Ngôn are fellow government officials and close friends.
Tân biên truyền kỳ mạn lục (新編傳奇漫錄) The Truyền kỳ mạn lục (傳奇漫錄, "Casual Records of Transmitted Strange Tales") is a 16th-century Vietnamese historical text, in part a collection of legends, by Nguyễn Dữ (阮嶼) composed in Classical Chinese. [1]
The legend of Mai An Tiêm was the eight tale told in Lĩnh Nam chích quái, [1] a semi-fictional collection written in the fourteenth century, under the title Tây Qua Truyện (chữ Hán: 西瓜傳; literally 'The Tale of the Western Fruit'). Mai Tiêm was an official in the Hùng King's era.
The Tale of Phạm Tử Hư Visiting Heaven is the tenth story of Nguyễn Dữ's Truyền kỳ mạn lục collection, [1] published in the second volume. [2] Phạm Tử Hư is a man in Cẩm Giàng. Originally prideful and uninhibited, Tử Hư is reformed by his teacher Dương Trạm into a better person.
The Golden Starfruit Tree is one of Vietnamese fairy tales adapted by Cổ tích Việt Nam (lit. ' Vietnamese fairy tales '), a VHS series directed by Nguyễn Minh Chung based on Nguyễn Đổng Chi's folklore collection. [5] The episode was released in 1993, featuring Hồng Tơ, Tô Kiều Lan, Hoàng Thơi and Kim Anh. [6]
The stories fall under the genre of Vietnamese comic or joke stories (vi:Truyện cười Việt Nam). The moral of the tale often concerns characterisation of the generous and stingy. [1] During and after the independence struggle the moral of the tales may also take anti-colonial motifs.