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Electret microphones require no polarizing voltage unlike other condenser microphones, but normally contain an integrated preamplifier which requires a small amount of power (often incorrectly called polarizing power or bias). This preamp is frequently phantom powered in sound reinforcement and studio applications. Other types include a 1.5 V ...
A distillation setup using a Liebig-type condenser (the tilted double-walled tube at the center). A liquid (not visible) in the flask at left is heated by the blue mantle to the boiling point . The vapor is then cooled as it goes through the inner tube of the condenser.
Microphones can be thought of as speakers in reverse. The sound waves strike the thin diaphragm, causing it to vibrate. [1] Microphone diaphragms, unlike speaker diaphragms, tend to be thin and flexible, since they need to absorb as much sound as possible. In a condenser microphone, the diaphragm is placed in front of a plate and is charged. [2]
The condenser microphone, invented at Western Electric in 1916 by E. C. Wente, [22] is also called a capacitor microphone or electrostatic microphone—capacitors were historically called condensers. The diaphragm acts as one plate of a capacitor, and audio vibrations produce changes in the distance between the plates.
The U47 was the first condenser microphone switchable between cardioid and omni-directional pick-up patterns. It incorporated the highly successful 12- micron -thick M7 capsule and VF-14 tube amplifier, which was a metal-clad pre-World War II pentode changed to work as a triode .
In 1973 the Schoeps "Colette" (CMC) series came out, a modular system of microphones that allowed the amplifier to be separated from the sound capsule. The microphone consisted of four amplifiers , for different powering schemes, and about 20 capsules, for different directional patterns and/or frequency response characteristics (any capsule of ...