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Although untrue—German propaganda during World War I was mostly more advanced than that of the British—it became the official truth of Nazi Germany thanks to its reception by Hitler. [4] Mein Kampf contains the blueprint of later Nazi propaganda efforts. Assessing his audience, Hitler writes in chapter VI:
A propaganda poster supporting the boycott declared that "in Paris, London, and New York German businesses were destroyed by the Jews, German men and women were attacked in the streets and beaten, German children were tortured and defiled by Jewish sadists", and called on Germans to "do to the Jews in Germany what they are doing to Germans abroad."
Posters during the Cold War focused primarily on depictions of Stalin and his positive effects on East Germany. The information on the posters was used to convince the German people that the institutions of the Soviet Union would perpetuate a peaceful socialist society. Many other posters were used to depict the allied forces in a negative ...
The poster was drawn as hanging on a wall in a 1995 poster created by Gabor Baksay. [15] In September 2021, a modified version of this painting was used in Novosibirsk to promote vaccination against the COVID-19. [16] Lissitzky's Revenge is a game based on Lissitzky's propaganda posters from 1919. It was developed in 2015 and uses paper-cuts as ...
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Russian World War 1 propaganda posters generally showed the enemies as demonic, one example showing Kaiser Wilhelm as a devil figure. [13] They would all depict the war as ‘patriotic’, with one poster saying that the war was Russia’s second ‘patriotic war’, the first being against Napoleon.
Italian fascist propaganda poster. Although Germany and Italy were partners in World War II, German propagandists made efforts to influence the Italian press and radio in their favor. In September 1940, the so-called Dina (Deutsch-italienischer Nachrichten-Austausch) service was set up, ostensibly to improve news exchanges during the war. In ...
The Soviet Paradise (German original title "Das Sowjet-Paradies") was the name of an exhibition and a propaganda film created by the Department of Film of the propaganda organisation (Reichspropagandaleitung) of the German Nazi Party (NSDAP), and was displayed in the larger cities of the Reich and occupied countries: Vienna, Prague, Berlin and others.