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Grips working on a skateboard dolly. In the United States, Canada and the United Kingdom, grips are camera support equipment technicians in the filmmaking and video production industries. They constitute their own department on a film set and are directed by a key grip.
Key grip working on set. A key grip is a senior role on movie sets, [1] involved with a wide variety of behind-the-scenes tasks. The key grip supervises grip crews who support camera and lighting technicians; assesses what equipment is necessary for each shooting location; coordinates the transportation of this equipment and its set up; and arranges the general movement and positioning of the ...
In a film crew, there are two kinds of best boy: best boy electric (also known as the assistant chief lighting technician) and best boy grip (also known as the 2nd company grip). They are assistants to their department heads, the gaffer (in charge of electricals) and the key grip (lighting and rigging), respectively. [ 1 ]
In cinematography, the dolly grip is a dedicated technician trained to operate the camera dolly. This technician places, levels, and moves the dolly track, then pushes and pulls the dolly and usually a camera operator and camera assistant as riders.
Film stock made of nitrate, acetate, or polyester bases is the traditional medium for capturing the numerous frames of a motion picture, widely used until the emergence of digital film in the late 20th century. film theory film transition film treatment filmmaking. Sometimes used interchangeably with film production.
The key grip is the head grip. Grips affect shadow effects with lights, and occasionally maneuver camera cranes, dollies, and platforms under direction from the Cinematographer. The term grip is used in slightly different ways in American and British or Australian film making.
'Absolution' is in theaters Nov. 1, and also stars Ron Perlman, Yolonda Ross, Frankie Shaw and Daniel Diemer
A camera dolly is a wheeled cart or similar device used in filmmaking and television production to create smooth horizontal camera movements. The camera is mounted to the dolly and the camera operator and focus puller or camera assistant usually ride on the dolly to push the dolly back and forth.